Delwedd:Fuji seen through the Mannen bridge at Fukagawa.jpg

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Hokusai: Under the Mannen Bridge at Fukagawa  wikidata:Q18173386 reasonator:Q18173386
Arlunydd
Hokusai  (1760–1849)  wikidata:Q5586 q:en:Hokusai
 
Hokusai
Enwau eraill
Birth name: Tokitarō (時太郎)
Disgrifiad Japiaidd painter, drawer a/ac printmaker
Dyddiad geni/marw 31 Hydref 1760 Golygu ar Wicidata 10 Mai 1849 Golygu ar Wicidata
Man geni/marw Edo, today Tokyo Edo, today Tokyo
Cyfnod y bu'n gweithio 1808 Golygu ar Wicidata
Man y bu'n gweithio
Rheolaeth awdurdod
creator QS:P170,Q5586
 Golygu ar Wicidata
image of artwork listed in title parameter on this page
Teitl
Japaneeg:
『深川万年橋下』
- Fukagawa Mannen-bashi shita

Under Mannen Bridge at Fukagawa
title QS:P1476,ja:"深川万年橋下"
label QS:Lja,"深川万年橋下"
label QS:Lfr,"Le Fuji vu à travers le pont de Mannen à Fukagawa"
label QS:Len,"Under Mannen Bridge at Fukagawa"
label QS:Lde,"Unter der Mannen-Brücke in Fukagawa"
Teitl y gyfres 36 Golygfa ar Fynydd Fuji Golygu ar Wicidata
Object type print / torlun pren Golygu ar Wicidata
Genre celf tirlun Golygu ar Wicidata
Disgrifiad
Part of 36 Golygfa ar Fynydd Fuji, no. 06 .
Dyddiad First publication: circa 1830
date QS:P571,+1830-00-00T00:00:00Z/9,P1480,Q5727902
.
This edition: circa 1930
date QS:P571,+1930-00-00T00:00:00Z/9,P1480,Q5727902
.
Cyfrwng woodblock color print
institution QS:P195,Q1129820
institution QS:P195,Q160236
Rhif catalogio
Nodiadau
English: Woodblock made ca. 1930 exactly the same way as they were made by artisans ca. 1830. The skill and the care are the same. There is a drawing or a copy of it coming from the artist. Then the woodcutter and the printer take over. Their skill varies. Hokusai once wrote to one of his editors that he was not happy with one of the woodcutters. In the case of the new cuts of the 36 views of the Fuji, only experts can distinguish the many versions - mainly by differences of the frame around the script
Ffynhonnell/Ffotograffydd http://visipix.com/index.htm
Caniatâd
(Ailddefnyddio'r ffeil hon)
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

Note: The enforcement of the revised Copyright Act on December 30, 2018 extended the copyright term of works whose copyright was valid on that day to 70 years. Do not use this template for works of the copyright holders who died after 1967.

Use {{PD-Japan-oldphoto}} for photos published before December 31, 1956, and {{PD-Japan-film}} for films produced prior to 1953. Public domain works must be out of copyright in both the United States and in the source country of the work in order to be hosted on the Commons. The file must have an additional copyright tag indicating the copyright status in the United States. See also Copyright rules by territory.

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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cyfredol03:46, 7 Medi 2005Bawdlun y fersiwn am 03:46, 7 Medi 20054,448 × 2,959 (2.03 MB)PetrusbarbygereFacsimile of a woodblock made ca. 1930 exactly the same way as they were made by artisans ca. 1830. The skill and the care are the same.There is a drawing or a copy of it voming from the artist. Then the woodcutter and the printer take over. Their skill v

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